New Image of the Month

July 4th, 2012

Hoping that you are not yet tired of pictures of Olympic torches, have a look at this month’s image from the archives, featuring the torch relay from the 1948 Olympics.

Taking valuable documents across the Atlantic

June 12th, 2012

It fell to me and my colleague Bridget to courier a collection of 48 precious documents, mainly from the Churchill papers, all the way to the Morgan Library in New York. The Morgan is hosting an exhibition ‘The Power of Words’ which has just opened on 7th June and we were there just a week before, installing the originals.

Despite the luxury of having agents chauffeuring us at each end, plus the benefits of Upper Class on Virgin Airlines, it was still quite a stressful experience! On such trips, there is no guarantee that the security at the airports won’t insist on opening the carefully sealed and insulated carry cases and you can never be 100% sure that the agent will be able to come onto the plane with you to help secure the cases. Because of the age and value of the material, we also had to have an export license arranged by the agent. There was a long and slightly anxious wait at British customs while the officer there thoroughly checked out this document….

However, we were safely ushered to Virgin Airlines Upper Class lounge to wait for the flight, which was rather lovely. The highlight was probably the toilets which were large enough to live in, with Van Morrison playing while I washed my hands with very posh soap.

We were totally spoilt on the flight with food, films and drinks (we were very sensible!) but had to remember to keep our eyes on the cases which had their own seats near to us. All went smoothly and our passage through passport control and customs at the US end was surprisingly quick and simple. We were then thrown into rush hour traffic on the way to a hot and humid New York and were relieved to be able to deposit the cases into the cool, controlled conditions of the Morgan Library for overnight storage.

After condition checking with Morgan staff, we installed the documents into their museum cases, placing our flush mounted documents onto their interestingly named ‘pillow mounts’. Despite the name, there were no pillows involved – just Perspex and plastazote foam.

Setting up the exhibition

Placing the documents into the museum cases with the help of a Morgan Library art handler.

All in all, it was a tiring but enjoyable time for us. The exhibition has had very positive feedback so far and two different colleagues will have the pleasure of bringing the documents back in September.

Sarah Lewery.

Churchill: The Power of Words – the countdown!

June 7th, 2012

The countdown to the opening of our major Churchill exhibition in New York is almost over. After weeks of furious activity on both sides of the Atlantic all of the original documents and artefacts are in place, the interactive timeline has been checked and rechecked within an inch of its life, and the audio-visual pod where visitors to the exhibition will be able to hear and see Churchill’s own words is up and running. One more day to go!

Building the audio-visual pod for the exhibitionBuilding the audio-visual pod for the exhibition

Building the audio-visual pod where recordings of Churchill’s speeches will be played.
Photographs courtesy of the Morgan Library and Museum.

New Image of the Month

June 6th, 2012

Have a look at this month’s image from the archives, a page from one of Winston Churchill’s famous wartime speeches, annotated in his own hand, which has been chosen to form the centerpiece of our exhibition at the Morgan Library in New York this summer.

New Image of the Month

May 3rd, 2012

Have a look at this month’s image from the archives, a rare photograph of Churchill about to take to the air.

Churchill goes to New York!

April 26th, 2012

Things have been a little quiet on the exhibition front recently, but all that is about to change. For the last two years the Archives Centre has been planning a major overseas Churchill exhibition, and from 8 June until 23 September, all our labours will finally come to fruition: Churchill goes to New York!

The exhibition, entitled “Churchill: The Power of Words”, will be held at the Morgan Library & Museum, and will be one of the biggest events the Archives Centre has ever put on. Besides some 48 original documents from our own archives, covering the whole of Churchill’s life, we are also using recordings of his great wartime speeches, producing an interactive timeline, and the National Trust, which runs Churchill’s old home at Chartwell, are kindly lending us precious artefacts such as Churchill’s iconic bowtie, his Nobel Prize medal and the state of the art silent typewriter which produced some of the most famous phrases of the twentieth century. A wonderful centrepiece will be provided by Churchill’s grant of Honorary US Citizenship, signed by President Kennedy, and his accompanying American passport.

Scrap of fabric for one of Churchill's schoolboy suits, 1890

Fabric sample for one of Churchill’s schoolboy suits, 1890, CHAR 28/18/41

Two years ago, when we started planning this exhibition, it all seemed safely remote: after all, 48 documents don’t sound like very much (though our conservator, who has had all the fun of preparing them and arranging for their transport across the Atlantic might not agree). Just lately, though, time has speeded up in an alarming way, and working on the exhibition has felt rather like wrestling with a many-headed hydra: you finish one job, and then find that two more have popped up to take its place.

Churchill's only novel, 1899

Churchill’s only novel, Savrola (or A Tale of the Revolution in Laurania), 1899

There have been so many jobs to do that the Archives Centre staff have been split into teams, individually tackling the original documents for display, the recordings, arranging the loan of the artefacts, and sourcing and producing about 200 images. Many of these images are going to be used on the timeline (my own particular area), and I can safely say that I never knew we had so many. One thing that will come out of this exhibition is a greatly improved range of Churchill-related digital images, which should be of great use to us (and our researchers) in the future. We also know a lot more about the extremely tangled history of Churchill’s recorded speeches (which should be a great comfort to those of my colleagues who were driven almost to screaming point by the legal thicket surrounding copyright in audio recordings).

Citation from the Mayor of New York, 1946

Citation from the Mayor of New York for Churchill’s distinguished and exceptional public service, 1946, CHWL 226 box 55.

“Churchill: The Power of Words” has been a huge project for us, but the exhibition is already looking amazing, and should hopefully be an equally huge success. Have a look at this specially-produced website on the exhibition, and this press release from the Morgan Library & Museum. More blogs to follow …

Katharine Thomson

Handbags and Glad Rags

April 18th, 2012

In 2002 the Archives Centre was given one of Margaret Thatcher’s handbags. Well used and often photographed on the lady’s arm during the 1980s, the handbag is a firm favourite with visitors to the Archives Centre. It has already had two bespoke conservation display boxes made for it, and due to considerable use, was in need of a new display box. Various personal items that might have been carried in the bag (for example, a lipstick, handkerchief and mirrored compact) were boxed separately.

The handbag at the Bruges conference, 1988

Lady Thatcher with this handbag when she delivered her famous Bruges Speech at the College of Europe, 20 Sept 1988. Ref: Thatcher Papers, THCR 8/2/34
Copyright unknown: efforts have been made to trace the copyright in this image and Churchill Archives Centre welcomes contact from the copyright owner.

In addition, the Archives Centre has recently been given another Thatcher handbag. This one has never been used by the lady, but is a limited edition (C243) of an Ebury handbag, designed by Anya Hindmarch and dedicated to Mrs Thatcher with two gold inscriptions just inside the bag, one saying ‘The lady is not for turning’ and the other from the designer saying ‘From someone that you inspired’. In an inscribed box and wrapped in lots of black (and unfortunately acidic) tissue, this handbag also needed some conservation work.

The Anya Hindmarch handbag

The Anya Hindmarch Ebury handbag as it arrived at the Archives Centre.

As it happens, Anya Hindmarch has just been awarded ‘Businesswoman of the Year’ (see this article in the Guardian) and has acknowledged that she was greatly inspired by Lady Thatcher when she set up her first bag business aged 19.

So earlier this year I was given the conservation task of re-boxing both bags and their contents. I set to work on the Ebury bag first, creating a polyester wadding and Tyvek cushion for the bag to lie on in its original box. It was then padded out with lots of acid-free tissue and its original protective cotton bag was folded over acid-free tissue and place on top of the bag. To protect the original box, a fall-flap box was made of archival corrugated board (light but strong) with internal panels of inert polyester foam, Velcro tabs at the sides and a tight-fitting lid.

The Anya Hindmarch handbag
The Anya Hindmarch handbag

Repackaged in archival materials with a new fall-flap protective box.

However, the first Thatcher handbag required a much more complex box design which would allow the handbag to be viewed by visitors without it having to be touched or removed. Following on from its previous box, a polyester foam base was created for the bag to sit in and then this was placed on a box plinth made of archival corrugated board in order to raise it up to aid viewing.

Having created the plinth, it then struck me that it was an ideal place to house a drawer containing the handbag’s contents. This would mean that when the lid was removed, the front of the box would fall open revealing a handwritten note by Mrs Thatcher explaining her frequent use of the bag on the inside of the flap and then the drawer would be opened to reveal some of its contents. Ta Da!!

The Bruges handbag in its new boxThe handbag's contents

Handbag and its contents in their new display box.

Once the drawer was made to fit into the plinth its contents were fitted into a polyester foam base with slots cut for each item, and the larger or heavier items supported in place by clear polyester straps. The box and front flap were then built around the plinth and base with a clear polyester ‘window’ in front of the bag and angled around the sides. The note from Mrs Thatcher confirming her use of the bag was placed between an thin archival board and film of clear polyester, welded on all sides and then adhered to the inside left-hand corner of the fall-flap. Finally, a close-fitting lid was made and two, individually shaped pieces of thick polyester foam were placed in the lid so that when it was placed on the box, the foam would support the bag in transit.

I wonder how long this box will last before ‘Mark 4’ is required?

Bridget Warrington

New image of the month: Some chicken, some neck!

April 2nd, 2012

Have a look at this month’s image from the archives, a page from one of Churchill’s great wartime speeches, now on display at the Library of Parliament in Ottawa.

The raw material of history: when archives are a bit too raw to get your hands on …

March 16th, 2012

We often use our blog to explain more about what we do behind the scenes of the Archives Centre. Sarah Lewery, our conservator, and I have been giving some thought recently to providing more information for our users about how we package our collections to explain how different the material used in our reading room looks in comparison to the state in which it was kept by its creator or custodian. Using archives is about getting your hands on history but when collections arrive here they are often in a state that makes them hard to use and also very vulnerable to damage by handling. So we carry out a number of processes to transform boxes of material into a catalogued collection so that researchers can easily find what they are interested in (see our Collections page) and can handle the papers or request copies. Sarah has written a page for our website explaining how material is physically transformed and we’d love to know what you think. If you’d like to find out more about everything involved in the cataloguing process please have a look at Katharine’s article from June 2011 “How to scare an archivist” about the papers of Lord Kinnock.

Natalie Adams.

Papers before treatment

Papers before treatment.

New Image of the Month

March 1st, 2012

Have a look at this month’s image from the archives, an illustrated letter sent from the Western Front during the First World War by Jack Churchill, who has already featured elsewhere on this blog (see August 2011).