Max Ferdinand Perutz (1914-2002) was a molecular biologist. Alongside John Kendrew, Max won the Nobel Prize for Chemistry in 1962 for co-discovering the structure of haemoglobin which transports oxygen around the blood. Amongst his papers is a comic strip of his life which survives alongside other biographical material.
Though we know little about who commissioned this comic, it nonetheless offers an insight into how the lives of prominent individuals are represented in cartoon form. The front of the comic carries a line drawing of Perutz in front of some mountains, signalling his love for mountaineering which had stayed with him since childhood.
The comic drawing captures Max’s frustrations at not meeting his father’s expectations on his career, his joy when his chemistry teacher told his students to abandon their textbooks, and the spark ignited in him from a simple class experiment.
In pictorially representing Perutz’s life, what moments are highlighted and concealed? What do specific textual and visual choices still tell us about the messages that the comic creator wanted readers to take away from Perutz’s life?
This comic strip survives with a wealth of other autobiographical material, as well as obituaries clipped from newspapers printed in the days after his death. Taken together, these documents not only tell us a great deal about Perutz’s life, but also invite researchers to think more broadly about the changing ways in which society commemorates the lives of scientists.
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By Cherish Watton, Archives Assistant.
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